As with the Cambodian “Karmalink” (which shares the screenwriter Christopher Larsen), “The Long Walk” is embedded in a culture and beliefs that spur viewers rooted in Western thought to reconsider their assumptions. But while much semi-futuristic sci-fi is often associated with glitzy technology and urbanized settings, this film is set in a rural environment, where the unhurried pace of life is reflected in the story’s flowing rhythm. The action takes place in a near-future where microchips inserted under the skin allow people to check out the time or receive payments. The magnetic Yannawoutthi Chanthalungsy, his weathered face subtly reflecting minute changes, portrays the unnamed main character, who, we slowly realize, can travel through the decades. Ghosts feature prominently in all three, and in “The Long Walk,” they are embedded in a story constantly jumping between past and present, death and life - the borders are porous. But the film also has a loose conception of that genre, just like Do’s previous two movies had a loose conception of horror, with which they were associated. The Laotian director Mattie Do’s third feature is usually described as science fiction, and it is. It doesn’t hurt that he has an excellent sense of composition that helps suggest a scarily plausible future. This is the apocalypse as a philosophical opportunity, the end of books and civilization as one and the same, and Chomski makes the most of it. Anna shacks up for a while at a large research library with Sam (Christopher Von Uckermann), then moves on to a large safe house of sorts where Victoria (the wonderful Portuguese actress Maria de Medeiros) looks after people in need. The skies are perpetually gray, beached ships litter the shore and bedraggled locals push shopping carts filled with odds and ends in bombed-out streets. Searching for her missing brother, Anna (Jazmín Diz) finds herself in a devastated city where corpses are taken to a “transformation center” to be burned for fuel. Don’t dismiss it as easy watching, though, because Chomski summons a real sense of existential dread. Lo and behold, this adaptation of his 1987 novel by the Argentine director Alejandro Chomski follows a more classic art-house approach: It’s shot mostly in black and white and favors ellipses and mystery over pure action. Speaking of blood-soaked savagery, it’s a safe bet that you won’t find any in a movie based on a Paul Auster book. Explanations are dispensed in a slow drip - the idea of rich people getting themselves put under until Coral can be controlled is all too credible - but the movie succeeds as a medical nightmare come to life. Smith complements the suffocating visuals with an elaborate sound design involving an anxiety-inducing assortment of squeaks, gurgles, moans, whispers, whimpers and clangs that make “Tin Can” well worth watching with headphones. Not that the rest of the movie pulls away all that much. Shot almost entirely in punishing close-ups, the scene might trigger oppressive claustrophobia in some viewers. Just as the scientist Fret (Anna Hopkins, “The Expanse”) has a breakthrough in her search for a cure, she is knocked out and wakes up, after an indeterminate amount of time, hooked to various tubes in a small capsule. The film begins with the news that an untreatable disease dubbed Coral is spreading uncontrollably, covering the afflicted in Cronenbergian growths that look like creepy white plastic grafted onto flesh. But since “Tin Can” is a hybrid of science fiction and body horror, consider this praise. More details on it can be seen in the video below.Watching Seth A Smith’s debut feature is a grueling experience. The Expanse ships The Expanse S3 - UNN Escort Ship, Lee Fitzgerald MCRN Fleet FNS Pella UNN Zenobia/Nathan Hale Class, The Expanse ship model Edward Israel. Later this summer, Halo 5: Guardians will get an all-new multiplayer game type called Warzone Firefight. Halo 5: Guardians had rolled out a free content update every month since it launched in November, but 343 will miss March as Ghosts of Meridian is not due until sometime in April. "Spartan Laser tuning" will also update certain weapons, too. There will be updates to multiplayer in the Warzone and Arena game types and improvements to the Forge toolkit. The April update will add more than just virtual swag, 343 said. There is much more detail on the reqs that have been revealed at this Waypoint post. An image at Waypoint teased some of them that are on the way, including the Hannibal Scorpion tank, Dynast armor, and Tartarus' Gavel, which is a giant melee hammer. Ghosts of Meridian will introduce 35 new items to Halo 5's requisition system, or the library of unlockable weapons, cosmetic skins and other rewards. The next update coming to Halo 5: Guardians is Ghosts of Meridian, and in an update on Halo Waypoint 343 Industries shared details of what players may expect in the package of maps, vehicles, weapons, armor and more.
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